₹30.00
Bhawana Rishi belonged to the Padmashali society of weavers who orginated the textile business and taught the skill to the people, who were later on called “Padmashali” Bhawana risi was son of the Maikandya risi. This is the first book in Marathi giving full information about his life and work. The writer Prof. Vijay Yangalwar has benefited the common man by this book.
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Bhawana Rishi belonged to the Padmashali society of weavers who orginated the textile business and taught the skill to the people, who were later on called “Padmashali” Bhawana risi was son of the Maikandya risi. This is the first book in Marathi giving full information about his life and work. The writer Prof. Vijay Yangalwar has benefited the common man by this book.
| Weight | 50 kg |
|---|---|
| Dimensions | 21.5 × 14 cm |
डॉ. इंदà¥à¤°à¤¾à¤¯à¤£à¥€ केदार जोशी
बी.à¤.à¤à¤®.à¤à¤¸., à¤à¤®.डी. (आयà¥.) सà¥à¤µà¤¸à¥à¤¥à¤µà¥ƒà¤¤à¥à¤¤ à¤à¤µà¤‚ योग, डी.वाय.à¤à¤¨.डी. (योग, निसरà¥à¤—ोपचार à¤à¤µà¤‚ आहार विशेषजà¥à¤ž)
समगà¥à¤° आरोगà¥à¤¯ व जीवनशैली मारà¥à¤—दरà¥à¤¶à¤• विशेषजà¥à¤ž
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इवा कॉलेज ऑफ आयà¥à¤°à¥à¤µà¥‡à¤¦ येथे सà¥à¤µà¤¸à¥à¤¥à¤µà¥ƒà¤¤à¥à¤¤ à¤à¤µà¤‚ योग विà¤à¤¾à¤—ात सहायà¥à¤¯à¤• पà¥à¤°à¤¾à¤§à¥à¤¯à¤¾à¤ªà¤¿à¤•à¤¾ मà¥à¤¹à¤£à¥‚न कारà¥à¤¯à¤°à¤¤
à¤à¤¾à¤°à¤¤à¥€à¤¯ शासà¥à¤¤à¥à¤°à¥€à¤¯ संगीतावर आधारित संगीतोपचार तजà¥à¤ž (Clinical Music Therapist)
“कैवलà¥à¤¯à¤¨à¤¾à¤¦ वेलनेस फाउंडेशन” (Music Therapy Education & Research Centre) संसà¥à¤¥à¤¾à¤ªà¤¿à¤•à¤¾
“कैवलà¥à¤¯à¤¨à¤¾à¤¦ मà¥à¤¯à¥à¤à¤¿à¤• अकॅडमी” संसà¥à¤¥à¤¾à¤ªà¤¿à¤•à¤¾
कैवलà¥à¤¯à¤¨à¤¾à¤¦ वेलनेस फाउंडेशन चà¥à¤¯à¤¾ मà¥à¤¯à¥à¤à¤¿à¤• थेरपी पà¥à¤°à¤®à¤¾à¤£à¤ªà¤¤à¥à¤° अà¤à¥à¤¯à¤¾à¤¸à¤•à¥à¤°à¤®à¤¾à¤‚चà¥à¤¯à¤¾ संचालिका व पà¥à¤°à¤¶à¤¿à¤•à¥à¤·à¤•
योग, मरà¥à¤® थेरपी व गरà¥à¤à¤¸à¤‚सà¥à¤•à¤¾à¤° विशेषजà¥à¤ž व पà¥à¤°à¤¶à¤¿à¤•à¥à¤·à¤•
आयà¥à¤°à¥à¤µà¥‡à¤¦, संगीतोपचार व समगà¥à¤° आरोगà¥à¤¯ विषयांवरील लेखिका व संशोधक
अखिल à¤à¤¾à¤°à¤¤à¥€à¤¯ गांधरà¥à¤µ महाविदà¥à¤¯à¤¾à¤²à¤¯ मंडळ, मिरज येथून “संगीत विशारद” आणि “संगीत अलंकार” (गायन) पदवी पà¥à¤°à¤¾à¤ªà¥à¤¤
महाराषà¥à¤Ÿà¥à¤° सà¥à¤—म संगीत समिती, मà¥à¤‚बई- पà¥à¤£à¥‡ येथून “संगीत रतà¥à¤¨” (सà¥à¤—म संगीत) पदवी पà¥à¤°à¤¾à¤ªà¥à¤¤
पà¥à¤°à¤•à¤¾à¤¶à¤¿à¤¤ पà¥à¤¸à¥à¤¤à¤•à¥‡à¤ƒ
अनà¥à¤à¤µà¤¾à¤‚चà¥à¤¯à¤¾ आठवणी – मराठी कावà¥à¤¯à¤¸à¤‚गà¥à¤°à¤¹ (२०१५)
हृदयाची à¤à¤¾à¤µà¤«à¥à¤²à¥‡ मराठी कावà¥à¤¯à¤¸à¤‚गà¥à¤°à¤¹ (२०२०)
📖 पà¥à¤¸à¥à¤¤à¤•à¤¾à¤šà¥€ वैशिषà¥à¤Ÿà¥à¤¯à¥‡
• विविध विषयांचे à¤à¤¾à¤·à¤£à¤¸à¤‚गà¥à¤°à¤¹ – अनेक विषयांवरील à¤à¤¾à¤·à¤£à¥‡ à¤à¤•à¤¤à¥à¤°à¤¿à¤¤à¤ªà¤£à¥‡ वाचणà¥à¤¯à¤¾à¤šà¥€ संधी.
• थोर वà¥à¤¯à¤•à¥à¤¤à¤¿à¤®à¤¤à¥à¤¤à¥à¤µà¤¾à¤‚ची ओळख – अनेक महान पà¥à¤°à¥à¤·à¤¾à¤‚चà¥à¤¯à¤¾ जीवनचरितà¥à¤°à¤¾à¤šà¤¾ परिचय आणि तà¥à¤¯à¤¾à¤¤à¥‚न पà¥à¤°à¥‡à¤°à¤£à¤¾.
• à¤à¤¾à¤·à¤£à¤•à¤²à¥‡à¤šà¥‡ मारà¥à¤—दरà¥à¤¶à¤¨ – à¤à¤¾à¤·à¤£à¤¾à¤šà¥€ à¤à¤¾à¤·à¤¾, वापरायचे शà¥à¤²à¥‹à¤•, सà¥à¤µà¤šà¤¨à¥‡ व कविता यांचा उतà¥à¤¤à¤® संदरà¥à¤.
• थोडकà¥à¤¯à¤¾à¤¤ अधिक सांगणà¥à¤¯à¤¾à¤šà¥€ कला – कमी वेळात विषय अधिक वà¥à¤¯à¤¾à¤ªà¤•à¤ªà¤£à¥‡ मांडणà¥à¤¯à¤¾à¤šà¥‡ तंतà¥à¤°.
• वरà¥à¤¤à¤®à¤¾à¤¨ घटनांचा अà¤à¥à¤¯à¤¾à¤¸ – देशात घडणाऱà¥à¤¯à¤¾ घटनांचा विवेचनातà¥à¤®à¤• दृषà¥à¤Ÿà¤¿à¤•à¥‹à¤¨.
• बहà¥à¤¶à¥à¤°à¥à¤¤ होणà¥à¤¯à¤¾à¤šà¥€ संधी – जà¥à¤žà¤¾à¤¨à¤¾à¤šà¥€ वà¥à¤¯à¤¾à¤ªà¥à¤¤à¥€ वाढवून अधिक समृदà¥à¤§ होणà¥à¤¯à¤¾à¤¸ मदत.
• à¤à¤¾à¤·à¥‡à¤¤à¥€à¤² शà¥à¤¦à¥à¤§à¤¤à¤¾ – समरà¥à¤ªà¤• शबà¥à¤¦, अचूक वाकà¥à¤¯à¤°à¤šà¤¨à¤¾ आणि वà¥à¤¯à¤¾à¤•à¤°à¤£à¤¦à¥ƒà¤·à¥à¤Ÿà¥à¤¯à¤¾ शà¥à¤¦à¥à¤§à¤²à¥‡à¤–नाची सवय.
• विचारांची खोली व शà¥à¤°à¥‹à¤¤à¥à¤¯à¤¾à¤‚वर पà¥à¤°à¤à¤¾à¤µ – विषय अचूकपणे मांडणà¥à¤¯à¤¾à¤šà¥‡ आणि शà¥à¤°à¥‹à¤¤à¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ मनाचा ठाव घेणà¥à¤¯à¤¾à¤šà¥‡ कौशलà¥à¤¯.
One has to answer different types of questions in banking activity. The readymade answers are made available in the book. Questions and answers, where and now they are to be used all is made clear. About 1000 questions are provided with proper answers.
This book is written mainly from the old points of views and thinking, linking them to the modern atmosphere. The heartful attachment with deep emotional appeal to the modern mind for thought full public adjustment, without selfish, wild mottoes guiding them. The racial and caste based barriers causing harmful actions needs this type of balanced guidelines, which the book provides successfully.
Mokshagundum Visheshwarayya who was rewarded Bharat Ratna is subject the book. His whole life contribution is assessed in this centenary book. The book is a source of insperation to all children, grownups and the old. There was no book avialable on such a great man in Marathi. This need in fulfilled by Shri. Vijay Yangalwar. Each architect, engineer and every citizen should read this book.
It has become extremely necessary to convince the new generation about the significance of the animal cow, which was worshiped as a godly animal in ancient period. The book on Kamadhenu gives well examined, scientifically judged information about the animal its importance in the modern life is also focused. The book edited by Vijay Yangalwar has been authorised by Shri. Rambhaoo Pujari prominant learned personality.
In this book all the eighteen Puranas have been describes as to become available to the new generation. It includes the historical information side by side.
An ancient philosopher, statesman Chanyakya is the personification of WISDOM- all pervading. This great diplomat of the past has written some precepts based on his own experiences in Chanakyasukte is Sanskrit, which have been translated in brief in Marathi. One can read any one out of 450 sutras at any time, think over it and try to practise it in one’s own life. The Sutras/ guidlines have everlasting effect for all times and are applicable in business, politics or family life. To live successful and contented life read this book.
Mudra is a unique Indian science. There is vast philosophy behind it. Its uses, science behind it, its methods and philosophy behind, all such factors are discussed in this book. The changes observed in human body by the practice of mudras are explained with the innerbody pholographs called as Urja (energy) photographs with the most modern photographic technique is a special feature of this book. The method of making mudras the changes occuring due to them, the causes behind, are the factors explained by the writer Shri. R.M. Pujari and Shri. Sunil Khankhoje in colaboration.
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