Description
The changed Co-operative Rules after change in Co-operative 1920 due to constitutional a amendment are may must required by the Co-operative Societies. This is our efftort to do the needful.
The changed Co-operative Rules after change in Co-operative 1920 due to constitutional a amendment are may must required by the Co-operative Societies. This is our efftort to do the needful.
| Weight | 250 kg |
|---|---|
| Dimensions | 21.5 × 14 cm |
The author, Mr. Rahul Kulkarni, is a skilled Engineer. He loves to write stories. Because of his logical perspective, he always focuses on facts and details, which helps him to write clear and profound stories. His job in engineering and quality have given him the opportunity to travel the world. These travels have given him an understanding of various cultures and histories. Rahul is fond of visiting historical and religious, places. On every trip, he becomes acquainted with new people and cultures, which allows him to learn something new. These experiences from around the world bring realistic details and a broad perspective to his stories. Connect with Rahul at – rgkrahul@gmail.com.
The employee is called a ‘Shipai’, ‘Hawaldar’, ‘Driver’, ‘Helper’ or by some other words. All of the success of the institutional work. Whoever comes to the institute has to contact anyone of them at the beginning. These workers of different departments are therefore need to be educated in the work of the institution particularly in banking. This book is writtern taking into consideration all these aspects.
India,with intelligent young generation,has potential to become Super power. We can create such scientists of world class when ween courage scientific temper in the students right from their teen-age.This book is outcome of author?s passion for above thought process. It is a compendium of his scientific articles published through newspapers, magazines, journals, souvenirs etc.This book will be feast for teenagers with quest for science and technology.
विषयांतर, हे पà¥à¤¸à¥à¤¤à¤• मà¥à¤¹à¤£à¤œà¥‡ नागपूरचà¥à¤¯à¤¾ दैनिक तरà¥à¤£ à¤à¤¾à¤°à¤¤ मधà¥à¤¯à¥‡ ३०-३२ वरà¥à¤·à¤¾à¤‚पूरà¥à¤µà¥€ दीरà¥à¤˜à¤•ाळ पà¥à¤°à¤•ाशित à¤à¤¾à¤²à¥‡à¤²à¥à¤¯à¤¾ विषयांतर, या सदरातील पà¥à¤°à¤¾. सà¥à¤°à¥‡à¤¶ खेडकर यांचà¥à¤¯à¤¾ २ॠलेखांचा संगà¥à¤°à¤¹. मूळ जà¥à¤¨à¥à¤¯à¤¾ लेखातील विचार अधिक सà¥à¤ªà¤·à¥à¤Ÿ करणà¥à¤¯à¤¾à¤¸à¤¾à¤ ी पà¥à¤°à¤¤à¥à¤¯à¥‡à¤• लेखाचà¥à¤¯à¤¾ शेवटी तà¥à¤¯à¤¾à¤‚नी, तà¥à¤¯à¤¾à¤¤à¥€à¤² विषयांशी सà¥à¤¸à¤‚गत ताजा कलम नवà¥à¤¯à¤¾à¤¨à¥‡ लिहून जोडला आहे. यातील बहà¥à¤¸à¤‚खà¥à¤¯ लेखात तà¥à¤¯à¤¾à¤‚नी आपले अनà¥à¤à¤µ हलकà¥à¤¯à¤¾ फà¥à¤²à¤•à¥à¤¯à¤¾ विनोदी शैलीत मांडलेले आहेत. पà¥à¤°à¤¾. सà¥à¤°à¥‡à¤¶ खेडकर à¤à¤• उतà¥à¤¤à¤® विडंबन कवी सà¥à¤¦à¥à¤§à¤¾ आहेत. १९८३ साली पà¥à¤°à¤•ाशित à¤à¤¾à¤²à¥‡à¤²à¥à¤¯à¤¾ तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ à¤à¤ªà¥à¤°à¤¿à¤² फà¥à¤²à¥‡ या विडंबन कावà¥à¤¯ संगà¥à¤°à¤¹à¤¾à¤¤ पदà¥à¤¯ सà¥à¤µà¤°à¥‚पात वà¥à¤¯à¤•à¥à¤¤ à¤à¤¾à¤²à¥‡à¤²à¥€ तà¥à¤¯à¤¾à¤‚ची शैली, गदà¥à¤¯ सà¥à¤µà¤°à¥‚पात विषयांतर मधà¥à¤¯à¥‡ दिसून येते.
आहे. विषयांतर सोबतच तà¥à¤¯à¤¾à¤‚चे आणखी à¤à¤• पà¥à¤¸à¥à¤¤à¤• हासà¥à¤¯à¤¬à¥‹à¤§à¤¹à¥€ पà¥à¤°à¤•ाशित होत
ते मà¥à¤³à¤¾à¤¤ विदà¥à¤¯à¥à¤¤ अà¤à¤¿à¤¯à¤¾à¤‚तà¥à¤°à¤¿à¤•ी (Electrical Engineering) चे पà¥à¤°à¤¾à¤§à¥à¤¯à¤¾à¤ªà¤• असले तरी तà¥à¤¯à¤¾à¤‚चे मराठी साहितà¥à¤¯à¤¾à¤¤à¥€à¤² योगदान पà¥à¤°à¤¶à¤‚सनीय आहे. पà¥à¤°à¤¾. सà¥à¤°à¥‡à¤¶ खेडकर यांचà¥à¤¯à¤¾à¤œà¤µà¤³ अनà¥à¤à¤µà¤¾à¤‚चा आणखी पà¥à¤·à¥à¤•ळ साठा आहे व तो सà¥à¤¦à¥à¤§à¤¾ तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ आगामी पà¥à¤¸à¥à¤¤à¤•ांचà¥à¤¯à¤¾ रूपात लवकरात लवकर यावा, अशी शà¥à¤à¥‡à¤šà¥à¤›à¤¾ मी वà¥à¤¯à¤•à¥à¤¤ करतो.
st
डॉ. इंदà¥à¤°à¤¾à¤¯à¤£à¥€ केदार जोशी
बी.à¤.à¤à¤®.à¤à¤¸., à¤à¤®.डी. (आयà¥.) सà¥à¤µà¤¸à¥à¤¥à¤µà¥ƒà¤¤à¥à¤¤ à¤à¤µà¤‚ योग, डी.वाय.à¤à¤¨.डी. (योग, निसरà¥à¤—ोपचार à¤à¤µà¤‚ आहार विशेषजà¥à¤ž)
समगà¥à¤° आरोगà¥à¤¯ व जीवनशैली मारà¥à¤—दरà¥à¤¶à¤• विशेषजà¥à¤ž
आयà¥à¤°à¥à¤µà¥‡à¤¦ व योग शासà¥à¤¤à¥à¤°à¤¾à¤¤ अधà¥à¤¯à¤¾à¤ªà¤¨, संशोधन व आरोगà¥à¤¯ जनजागृती कà¥à¤·à¥‡à¤¤à¥à¤°à¤¾à¤¤ सकà¥à¤°à¤¿à¤¯ योगदान
इवा कॉलेज ऑफ आयà¥à¤°à¥à¤µà¥‡à¤¦ येथे सà¥à¤µà¤¸à¥à¤¥à¤µà¥ƒà¤¤à¥à¤¤ à¤à¤µà¤‚ योग विà¤à¤¾à¤—ात सहायà¥à¤¯à¤• पà¥à¤°à¤¾à¤§à¥à¤¯à¤¾à¤ªà¤¿à¤•ा मà¥à¤¹à¤£à¥‚न कारà¥à¤¯à¤°à¤¤
à¤à¤¾à¤°à¤¤à¥€à¤¯ शासà¥à¤¤à¥à¤°à¥€à¤¯ संगीतावर आधारित संगीतोपचार तजà¥à¤ž (Clinical Music Therapist)
“कैवलà¥à¤¯à¤¨à¤¾à¤¦ वेलनेस फाउंडेशन” (Music Therapy Education & Research Centre) संसà¥à¤¥à¤¾à¤ªà¤¿à¤•ा
“कैवलà¥à¤¯à¤¨à¤¾à¤¦ मà¥à¤¯à¥à¤à¤¿à¤• अकॅडमी” संसà¥à¤¥à¤¾à¤ªà¤¿à¤•ा
कैवलà¥à¤¯à¤¨à¤¾à¤¦ वेलनेस फाउंडेशन चà¥à¤¯à¤¾ मà¥à¤¯à¥à¤à¤¿à¤• थेरपी पà¥à¤°à¤®à¤¾à¤£à¤ªà¤¤à¥à¤° अà¤à¥à¤¯à¤¾à¤¸à¤•à¥à¤°à¤®à¤¾à¤‚चà¥à¤¯à¤¾ संचालिका व पà¥à¤°à¤¶à¤¿à¤•à¥à¤·à¤•
योग, मरà¥à¤® थेरपी व गरà¥à¤à¤¸à¤‚सà¥à¤•ार विशेषजà¥à¤ž व पà¥à¤°à¤¶à¤¿à¤•à¥à¤·à¤•
आयà¥à¤°à¥à¤µà¥‡à¤¦, संगीतोपचार व समगà¥à¤° आरोगà¥à¤¯ विषयांवरील लेखिका व संशोधक
अखिल à¤à¤¾à¤°à¤¤à¥€à¤¯ गांधरà¥à¤µ महाविदà¥à¤¯à¤¾à¤²à¤¯ मंडळ, मिरज येथून “संगीत विशारद” आणि “संगीत अलंकार” (गायन) पदवी पà¥à¤°à¤¾à¤ªà¥à¤¤
महाराषà¥à¤Ÿà¥à¤° सà¥à¤—म संगीत समिती, मà¥à¤‚बई- पà¥à¤£à¥‡ येथून “संगीत रतà¥à¤¨” (सà¥à¤—म संगीत) पदवी पà¥à¤°à¤¾à¤ªà¥à¤¤
पà¥à¤°à¤•ाशित पà¥à¤¸à¥à¤¤à¤•ेः
अनà¥à¤à¤µà¤¾à¤‚चà¥à¤¯à¤¾ आठवणी – मराठी कावà¥à¤¯à¤¸à¤‚गà¥à¤°à¤¹ (२०१५)
हृदयाची à¤à¤¾à¤µà¤«à¥à¤²à¥‡ मराठी कावà¥à¤¯à¤¸à¤‚गà¥à¤°à¤¹ (२०२०)
Select at least 2 products
to compare