₹175.00
The changes occuring in society always are depicted in short stories interestingly. In this book there are 15 stories occured in 40 years. We can feel and listen different mental attitudes and experiences Pulsating through these stories which are having complex relationship.
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The changes occuring in society always are depicted in short stories interestingly. In this book there are 15 stories occured in 40 years. We can feel and listen different mental attitudes and experiences Pulsating through these stories which are having complex relationship.
| Weight | 150 kg |
|---|---|
| Dimensions | 21.5 × 14 cm |
The wisdom of the Indians is being established in the world again. The Indian thinking linked with mathematics is a wellknown fact. There are many laureat mathematicians in India who had contributed in the field of mathematics from time to time. 51 such laureats have been informed about in this book to modern reader with their contribution, timespan and life by Shri. Anant Vyavahare. By reading this book, Indian citizen world develop a feeling of being proud of them.
In the Co-operative institutions the circular used since last 20 years are compiled in this tiny book. Having 160 pages with 1/8 th demi size this book can be useful for every department of every co-operative bank and it branches. It is very easy to handle being being a well Indexed Book.
The service law, which is difficult to understand, is made easy through this book in Marathi. The related people such as lawyers, debt and taxpaying people and the students of C. A. are benefited through the book. The high court judgement, the result of tribunal can be selected by taxpayers and act according to these rules easily.
In the international year of chemistry, the scientists in the field of chemistry who had contributed their results in the development and progress in chemistry have been informed. All prominent women and male scientist with their biographical information are given, associated with their photographs. The writer of the book is Shri. Prakash Manikpure.
📖 पà¥à¤¸à¥à¤¤à¤•à¤¾à¤šà¥€ वैशिषà¥à¤Ÿà¥à¤¯à¥‡
• विविध विषयांचे à¤à¤¾à¤·à¤£à¤¸à¤‚गà¥à¤°à¤¹ – अनेक विषयांवरील à¤à¤¾à¤·à¤£à¥‡ à¤à¤•à¤¤à¥à¤°à¤¿à¤¤à¤ªà¤£à¥‡ वाचणà¥à¤¯à¤¾à¤šà¥€ संधी.
• थोर वà¥à¤¯à¤•à¥à¤¤à¤¿à¤®à¤¤à¥à¤¤à¥à¤µà¤¾à¤‚ची ओळख – अनेक महान पà¥à¤°à¥à¤·à¤¾à¤‚चà¥à¤¯à¤¾ जीवनचरितà¥à¤°à¤¾à¤šà¤¾ परिचय आणि तà¥à¤¯à¤¾à¤¤à¥‚न पà¥à¤°à¥‡à¤°à¤£à¤¾.
• à¤à¤¾à¤·à¤£à¤•à¤²à¥‡à¤šà¥‡ मारà¥à¤—दरà¥à¤¶à¤¨ – à¤à¤¾à¤·à¤£à¤¾à¤šà¥€ à¤à¤¾à¤·à¤¾, वापरायचे शà¥à¤²à¥‹à¤•, सà¥à¤µà¤šà¤¨à¥‡ व कविता यांचा उतà¥à¤¤à¤® संदरà¥à¤.
• थोडकà¥à¤¯à¤¾à¤¤ अधिक सांगणà¥à¤¯à¤¾à¤šà¥€ कला – कमी वेळात विषय अधिक वà¥à¤¯à¤¾à¤ªà¤•à¤ªà¤£à¥‡ मांडणà¥à¤¯à¤¾à¤šà¥‡ तंतà¥à¤°.
• वरà¥à¤¤à¤®à¤¾à¤¨ घटनांचा अà¤à¥à¤¯à¤¾à¤¸ – देशात घडणाऱà¥à¤¯à¤¾ घटनांचा विवेचनातà¥à¤®à¤• दृषà¥à¤Ÿà¤¿à¤•à¥‹à¤¨.
• बहà¥à¤¶à¥à¤°à¥à¤¤ होणà¥à¤¯à¤¾à¤šà¥€ संधी – जà¥à¤žà¤¾à¤¨à¤¾à¤šà¥€ वà¥à¤¯à¤¾à¤ªà¥à¤¤à¥€ वाढवून अधिक समृदà¥à¤§ होणà¥à¤¯à¤¾à¤¸ मदत.
• à¤à¤¾à¤·à¥‡à¤¤à¥€à¤² शà¥à¤¦à¥à¤§à¤¤à¤¾ – समरà¥à¤ªà¤• शबà¥à¤¦, अचूक वाकà¥à¤¯à¤°à¤šà¤¨à¤¾ आणि वà¥à¤¯à¤¾à¤•à¤°à¤£à¤¦à¥ƒà¤·à¥à¤Ÿà¥à¤¯à¤¾ शà¥à¤¦à¥à¤§à¤²à¥‡à¤–नाची सवय.
• विचारांची खोली व शà¥à¤°à¥‹à¤¤à¥à¤¯à¤¾à¤‚वर पà¥à¤°à¤à¤¾à¤µ – विषय अचूकपणे मांडणà¥à¤¯à¤¾à¤šà¥‡ आणि शà¥à¤°à¥‹à¤¤à¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ मनाचा ठाव घेणà¥à¤¯à¤¾à¤šà¥‡ कौशलà¥à¤¯.
Mother of the adored godly personality of Chhatrapati Shivaji Maharaj. Jijabai, who guided her son to fight against the odds and establish a Hindu rule is an icon for the mother in the world. Her life was full of strife and struggle. The life style and incident in her life, Where National Pride was the struggling force has been depicted this book as she is speaking.
An aged mother go, Durgatai Phatak from wardha, about her daughter had made compilation the title whose writing page is drawn by the grand daughter. The book includes the picture writings in Marathi, Hindi prose, poems of small dramas guiding articles and stories written in the ninety years lifespan wherein we get the information about life style of the woman in last century.
लेखक परिचय –
महाविदà¥à¤¯à¤¾à¤²à¤¯à¥€à¤¨ शिकà¥à¤·à¤£ पूरà¥à¤£ केलà¥à¤¯à¤¾à¤¨à¤‚तर काही वरà¥à¤· अà¤à¤¾à¤µà¤¿à¤ª या विदà¥à¤¯à¤¾à¤°à¥à¤¥à¥€ संघटनेत पूरà¥à¤£à¤µà¥‡à¤³ काम केले. विदà¥à¤¯à¤¾à¤°à¥à¤¥à¥€ चळवळीत काम करत असताना आसपास घडणाऱà¥à¤¯à¤¾ छोटà¥à¤¯à¤¾ मोठà¥à¤¯à¤¾ घटनांकडे पाहणà¥à¤¯à¤¾à¤šà¤¾ दृषà¥à¤Ÿà¥€à¤•à¥‹à¤¨ अधिकाधिक सजग होत गेला. तà¥à¤¯à¤¾à¤¤à¥‚न मनात उमटणारे तरंग शबà¥à¤¦à¤¬à¤¦à¥à¤§ करून कागदावर उतरविणà¥à¤¯à¤¾à¤šà¤¾ छंद जडला. आतापरà¥à¤¯à¤‚त तà¥à¤¯à¤¾à¤‚ची चार पà¥à¤¸à¥à¤¤à¤•à¥‡ पà¥à¤°à¤•à¤¾à¤¶à¤¿à¤¤ à¤à¤¾à¤²à¥€ आहेत.
सà¥à¤¹à¤¾à¤¸ वैदà¥à¤¯
तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ ‘वैदेही’ कादंबरीत, उतà¥à¤¤à¤° रामायणात; पà¥à¤¨à¥à¤¹à¤¾ à¤à¤•à¤¦à¤¾ वनवास सà¥à¤µà¥€à¤•à¤¾à¤°à¤¾à¤µà¤¾ लागलेली सीता ततà¥à¤•à¤¾à¤²à¥€à¤¨ समाजाचà¥à¤¯à¤¾ चालीरीतींकडे कशी पाहते ? तà¥à¤¯à¤¾à¤µà¥‡à¤³à¥€ सीतेचà¥à¤¯à¤¾ मनात उमटणाऱà¥à¤¯à¤¾ à¤à¤¾à¤µ à¤à¤¾à¤µà¤¨à¤¾ कशा असतील ? याचे शबà¥à¤¦à¤šà¤¿à¤¤à¥à¤° रेखाटतांना à¤à¤•à¤¾ अतिशय वेगळà¥à¤¯à¤¾ पैलूंचे दरà¥à¤¶à¤¨ घडते.
‘पतà¥à¤¥à¤° पायातील’; या लेख संगà¥à¤°à¤¹à¤¾à¤¤ तà¥à¤¯à¤¾à¤‚ना à¤à¥‡à¤Ÿà¤²à¥‡à¤²à¥à¤¯à¤¾ विविध लोकांचà¥à¤¯à¤¾ वकà¥à¤¤à¥€ विशेषतà¥à¤µà¤¾à¤šà¥‡ सà¥à¤‚दर चितà¥à¤°à¤£ केले आहे. तिसरे पà¥à¤¸à¥à¤¤à¤• ‘शोधू चिंतनाचे रंगी’, हे तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ आसापास घडणाऱà¥à¤¯à¤¾ घटनांचा तà¥à¤¯à¤¾à¤‚नी मांडलेला साकà¥à¤·à¥‡à¤ªà¥€ लेखाजोखा आहे. तà¥à¤¯à¤¾à¤²à¤¾ पà¥à¤°à¤¸à¥à¤•à¤¾à¤° मिळाला असून चौथे पà¥à¤¸à¥à¤¤à¤• ‘बदलांचे पायरव’ हे à¤à¤•à¤¾ धà¥à¤¯à¥‡à¤¯à¤¾à¤¨à¥‡ अंतरबाहà¥à¤¯ पà¥à¤°à¥‡à¤°à¤¿à¤¤ à¤à¤¾à¤²à¥‡à¤²à¥à¤¯à¤¾ चमूचे सांगोपांग वरà¥à¤£à¤¨ आहे. दोन गावात फकà¥à¤¤ वैदà¥à¤¯à¤•à¥€à¤¯ सेवा देत असताना येणाऱà¥à¤¯à¤¾ रà¥à¤—à¥à¤£à¤¾à¤‚नी न सांगितलेलà¥à¤¯à¤¾ पण तà¥à¤¯à¤¾ पलीकडे जाणवलेलà¥à¤¯à¤¾ समसà¥à¤¯à¤¾ सोडवणारी à¤à¤• संसà¥à¤¥à¤¾ आज महाराषà¥à¤Ÿà¥à¤°à¤à¤° आपलà¥à¤¯à¤¾ निरà¥à¤µà¥à¤¯à¤¾à¤œ, निरà¥à¤²à¥‡à¤ª कारà¥à¤¯à¤¾à¤šà¤¾ कसा ठसा उमटवते याचे सà¥à¤‚दर वरà¥à¤£à¤¨ वाचायला मिळते.
असं नॠकाय !
लेखकाचा हा बालकथा संगà¥à¤°à¤¹ मà¥à¤¹à¤£à¤œà¥‡ बालसाहितà¥à¤¯à¤¾à¤¤à¥€à¤² पहिले पाऊल आहे. आजीने सांगितलेलà¥à¤¯à¤¾ आणि ततà¥à¤•à¤¾à¤²à¥€à¤¨ कौटà¥à¤‚बिक संसà¥à¤•à¤¾à¤° पà¥à¤°à¤¯à¥‹à¤—शाळेतील यशसà¥à¤µà¥€ ठरलेलà¥à¤¯à¤¾ कथांचा हा संगà¥à¤°à¤¹ आहे. कथा छोटà¥à¤¯à¤¾ छोटà¥à¤¯à¤¾ पण बालमनावर मूलà¥à¤¯à¤¾à¤§à¤¿à¤·à¥à¤ ित संसà¥à¤•à¤¾à¤° करणाऱà¥à¤¯à¤¾ आहेत. तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ चारही पà¥à¤¸à¥à¤¤à¤•à¤¾à¤‚चे वाचकांनी à¤à¤°à¤à¤°à¥‚न सà¥à¤µà¤¾à¤—त केले आहे. लेखकाची लेखनशैली पाहता या पà¥à¤¸à¥à¤¤à¤•à¤¾à¤²à¤¾ सà¥à¤¦à¥à¤§à¤¾ वाचकांचा à¤à¤°à¤˜à¥‹à¤¸ पà¥à¤°à¤¤à¤¿à¤¸à¤¾à¤¦ मिळेल अशी खातà¥à¤°à¥€ आहे.
“à¤à¤¾à¤°à¤¤à¥€à¤¯ जà¥à¤žà¤¾à¤¨ परंपरा: à¤à¤• दृषà¥à¤Ÿà¤¿à¤•à¥à¤·à¥‡à¤ª” हे पà¥à¤¸à¥à¤¤à¤• à¤à¤¾à¤°à¤¤à¤à¥‚मीचà¥à¤¯à¤¾ अखंड आणि समृदà¥à¤§ बौदà¥à¤§à¤¿à¤• वारशाचा परिचय करून देणारे आहे. à¤à¤¾à¤°à¤¤à¤¾à¤šà¤¾ इतिहास हा केवळ सामà¥à¤°à¤¾à¤œà¥à¤¯à¤¾à¤‚चे उदय-असà¥à¤¤ आणि यà¥à¤¦à¥à¤§à¤¾à¤‚चे जय-पराजय यापà¥à¤°à¤¤à¤¾ मरà¥à¤¯à¤¾à¤¦à¤¿à¤¤ नसून, तो जà¥à¤žà¤¾à¤¨, ततà¥à¤¤à¥à¤µà¤œà¥à¤žà¤¾à¤¨, विजà¥à¤žà¤¾à¤¨, कला आणि संसà¥à¤•à¥ƒà¤¤à¥€à¤šà¤¾ अखंड पà¥à¤°à¤µà¤¾à¤¹ आहे. या गà¥à¤°à¤‚थातून वाचकाला वेद, उपनिषदे, पà¥à¤°à¤¾à¤£à¤•à¤¥à¤¾, पà¥à¤°à¤¾à¤šà¥€à¤¨ ततà¥à¤¤à¥à¤µà¤œà¥à¤žà¤¾à¤¨, गणित, खगोलशासà¥à¤¤à¥à¤°, रसायनशासà¥à¤¤à¥à¤°, धातà¥à¤µà¤¿à¤œà¥à¤žà¤¾à¤¨, कला, वासà¥à¤¤à¥à¤•à¤²à¤¾ तसेच तकà¥à¤·à¤¶à¤¿à¤²à¤¾-नालंदा यांसारखà¥à¤¯à¤¾ विदà¥à¤¯à¤¾à¤ªà¥€à¤ ांची ओळख होईल.
This is one act play of Dr. Vadyalkar based on social sequence, the dialogues is which are very interesting.
A book of poems equal to the poets and writers of Vidarbha like Vamanrao Chorghade, Purushottam Darwhekar, Ram Shewalkar, from Nagpur, Madhukar Keche and Suresh Bhat is written by a duel a mother and her daughter ie. sau Uma Kannadkar and Dr. Sau Manasi Kavimandan, It indudes 84 poems out 95 which 69 are in Marathi and 15 in English. There are 23 poems from the mother and others are of her daughter. The poem ‘Baba’ is praiseworthy Sau. Uma Kannadkar, Dr. Sau. Manasi Kavimandan,
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Shree Ganesh Mahatma 