Patsanstha Vyavasthapan

350.00

The quidance about the daily routine work in credit societies with all its dimensions is available in this boom. Institution, its director’s and branches, credit societies of yesterday, today and tomorrow low sand rules, sub-rules, membership, personal administration, deposits, working, accounts management, loan rules, and working, collections of loans, meeting performance, management of office, branch management customer service etc. all aspects are discusses in this book.

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Description

Description

The quidance about the daily routine work in credit societies with all its dimensions is available in this boom. Institution, its director’s and branches, credit societies of yesterday, today and tomorrow low sand rules, sub-rules, membership, personal administration, deposits, working, accounts management, loan rules, and working, collections of loans, meeting performance, management of office, branch management customer service etc. all aspects are discusses in this book.

Additional information

Additional information

Weight 250 kg
Dimensions 21.5 × 14 cm
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​शबà¥à¤¦à¤¾à¤‚चà¥à¤¯à¤¾ दà¥à¤¨à¤¿à¤¯à¥‡à¤¤à¥€à¤² à¤à¤• ऋषितà¥à¤²à¥à¤¯ वà¥à¤¯à¤•à¥à¤¤à¤¿à¤®à¤¤à¥à¤µ…
​नागपूरचà¥à¤¯à¤¾ मातीतील à¤à¤• पà¥à¤°à¤—लà¥à¤­ कवी, संवेदनशील लेखक आणि जनसंपरà¥à¤• कà¥à¤·à¥‡à¤¤à¥à¤°à¤¾à¤¤à¥€à¤² à¤à¤• अनà¥à¤­à¤µà¥€ नाव मà¥à¤¹à¤£à¤œà¥‡ अमोल दिलीपराव तपासे. राषà¥à¤Ÿà¥à¤°à¤¸à¤‚त तà¥à¤•डोजी महाराज नागपूर विदà¥à¤¯à¤¾à¤ªà¥€à¤ à¤¾à¤¤à¥‚न ‘जनसंवाद’ विषयात पदवà¥à¤¯à¥à¤¤à¥à¤¤à¤° पदवी संपादन केलेलà¥à¤¯à¤¾ अमोलजींचà¥à¤¯à¤¾ लेखणीत समाजाचा आरसा आणि मातीचा सà¥à¤—ंध दोनà¥à¤¹à¥€ आढळतात. सà¥à¤«à¥‚रà¥à¤¤à¥€à¤—ीते, ओतपà¥à¤°à¥‹à¤¤ देशभकà¥à¤¤à¥€à¤ªà¤° रचना, भावविभोर भावगीते, भकà¥à¤¤à¥€à¤®à¤¯ भजने आणि वैविधà¥à¤¯à¤ªà¥‚रà¥à¤£ कावà¥à¤¯à¤¸à¤‚गà¥à¤°à¤¹ असा तà¥à¤¯à¤¾à¤‚चा पà¥à¤°à¤¦à¥€à¤°à¥à¤˜ साहितà¥à¤¯à¤¿à¤• पà¥à¤°à¤µà¤¾à¤¸ आहे. तà¥à¤¯à¤¾à¤‚चे वैचारिक लेख आणि कविता महाराषà¥à¤Ÿà¥à¤°à¤¾à¤¤à¥€à¤² नामांकित वृतà¥à¤¤à¤ªà¤¤à¥à¤°à¤¾à¤‚तून व सोशल मीडियावरून साततà¥à¤¯à¤¾à¤¨à¥‡ वाचकांचà¥à¤¯à¤¾ भेटीला येत असतात, जà¥à¤¯à¤¾à¤¤à¥‚न समाजमनाचा वेध घेतला जातो. अखिल भारतीय मराठी साहितà¥à¤¯ संमेलनाचà¥à¤¯à¤¾ मानाचà¥à¤¯à¤¾ वà¥à¤¯à¤¾à¤¸à¤ªà¥€à¤ à¤¾à¤µà¤° कावà¥à¤¯ सादरीकरण करणà¥à¤¯à¤¾à¤šà¤¾ बहà¥à¤®à¤¾à¤¨ तà¥à¤¯à¤¾à¤‚ना पà¥à¤°à¤¾à¤ªà¥à¤¤ à¤à¤¾à¤²à¤¾ आहे, ही तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ कावà¥à¤¯à¤ªà¥à¤°à¤¤à¤¿à¤­à¥‡à¤šà¥€ मोठी पावती आहे. ​तà¥à¤¯à¤¾à¤‚चा ‘शà¥à¤°à¥€à¤®à¤¹à¤¨à¥à¤®à¤‚गले’ हा कावà¥à¤¯à¤¸à¤‚गà¥à¤°à¤¹ मà¥à¤¹à¤£à¤œà¥‡ राषà¥à¤Ÿà¥à¤°à¤šà¤¿à¤‚तन आणि भकà¥à¤¤à¥€à¤°à¤¸à¤¾à¤šà¤¾ à¤à¤• अजोड संगम आहे. तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ पà¥à¤°à¤—लà¥à¤­ वैचारिक मांडणीचा आणि उतà¥à¤•ट शबà¥à¤¦à¤•लेचा हा संगà¥à¤°à¤¹ à¤à¤• जिवंत पà¥à¤°à¤¾à¤µà¤¾à¤š आहे. सधà¥à¤¯à¤¾ तà¥à¤¯à¤¾à¤‚ची काही नवीन पà¥à¤¸à¥à¤¤à¤•े पà¥à¤°à¤•ाशनाचà¥à¤¯à¤¾ वाटेवर असून रसिक वाचकांसाठी ती परà¥à¤µà¤£à¥€à¤š ठरेल.

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विषयांतर, हे पà¥à¤¸à¥à¤¤à¤• मà¥à¤¹à¤£à¤œà¥‡ नागपूरचà¥à¤¯à¤¾ दैनिक तरà¥à¤£ भारत मधà¥à¤¯à¥‡ ३०-३२ वरà¥à¤·à¤¾à¤‚पूरà¥à¤µà¥€ दीरà¥à¤˜à¤•ाळ पà¥à¤°à¤•ाशित à¤à¤¾à¤²à¥‡à¤²à¥à¤¯à¤¾ विषयांतर, या सदरातील पà¥à¤°à¤¾. सà¥à¤°à¥‡à¤¶ खेडकर यांचà¥à¤¯à¤¾ २७ लेखांचा संगà¥à¤°à¤¹. मूळ जà¥à¤¨à¥à¤¯à¤¾ लेखातील विचार अधिक सà¥à¤ªà¤·à¥à¤Ÿ करणà¥à¤¯à¤¾à¤¸à¤¾à¤ à¥€ पà¥à¤°à¤¤à¥à¤¯à¥‡à¤• लेखाचà¥à¤¯à¤¾ शेवटी तà¥à¤¯à¤¾à¤‚नी, तà¥à¤¯à¤¾à¤¤à¥€à¤² विषयांशी सà¥à¤¸à¤‚गत ताजा कलम नवà¥à¤¯à¤¾à¤¨à¥‡ लिहून जोडला आहे. यातील बहà¥à¤¸à¤‚खà¥à¤¯ लेखात तà¥à¤¯à¤¾à¤‚नी आपले अनà¥à¤­à¤µ हलकà¥à¤¯à¤¾ फà¥à¤²à¤•à¥à¤¯à¤¾ विनोदी शैलीत मांडलेले आहेत. पà¥à¤°à¤¾. सà¥à¤°à¥‡à¤¶ खेडकर à¤à¤• उतà¥à¤¤à¤® विडंबन कवी सà¥à¤¦à¥à¤§à¤¾ आहेत. १९८३ साली पà¥à¤°à¤•ाशित à¤à¤¾à¤²à¥‡à¤²à¥à¤¯à¤¾ तà¥à¤¯à¤¾à¤‚चà¥à¤¯à¤¾ à¤à¤ªà¥à¤°à¤¿à¤² फà¥à¤²à¥‡ या विडंबन कावà¥à¤¯ संगà¥à¤°à¤¹à¤¾à¤¤ पदà¥à¤¯ सà¥à¤µà¤°à¥‚पात वà¥à¤¯à¤•à¥à¤¤ à¤à¤¾à¤²à¥‡à¤²à¥€ तà¥à¤¯à¤¾à¤‚ची शैली, गदà¥à¤¯ सà¥à¤µà¤°à¥‚पात विषयांतर मधà¥à¤¯à¥‡ दिसून येते.
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