Additional information
| Weight | 140 kg |
|---|---|
| Dimensions | 21.5 × 14 cm |
| Weight | 140 kg |
|---|---|
| Dimensions | 21.5 × 14 cm |
This is the collection of poems as a poet fighting for social order and against corruption, inequality, unhappiness, social distress and hypocrisy. The man is his poems a fighting against all the upper said odds and dreams to get rightful effects in the form of social justice.
Dr. Indrayani Kedar Joshi
B.A.M.S., M.D. (AYU) (Swasthavritta Evam Yog), D.Y.N.D.
Preventive Healthcare Specialist
Ayurvedic Physician and Holistic Health Expert
O Presently serving as Assistant Professor in Swasthavritta Evam Yog, contributing to academics, research, and preventive healthcare at Eva College of Ayurved, Gujarat.
Clinical Music Therapist specializing in therapeutic use of sound and classical ragas
Founder of KaivallyaNaad Wellness Foundation (Music Therapy Education & Research Centre)
Founder of Kaivallyanaad Music Academy
Music Therapy Trainer and Course director of KWF music therapy certification programs
Yoga & Marma Therapy Trainer
Certified Garbhasanskar Therapist & Trainer
Dynamic Speaker and Anchor, delivering various cultural events, health awareness and wellness sessions across India
Author and Research Contributor in the field of Ayurveda and Integrative Medicine.
Sangeet Visharad (Vocal Music) from Akhil Bharatiya Gandharva Mahavidyalaya Mandal, Meeraj
Sangeet Ratna in Light Music from Maharashtra Sugam Sangeet Samiti Mumbai – Pune
Authored Books:
Anubhavanchya Athawani – Marathi Kavya Sangrah (2015)
Hridayachi Bhavfule – Marathi Kavya Sangrah (2020)
Board of directors constitutes member of different disciplines such as intellectuals, serial thinkers etc. All are supposed to work for carrying the institution and making progress in it, so that it can work for a long period. The institutions established should remain during the life time of the established and after them also, it should survive in order to fix the method for the election of these directors, what is to be done to make it powerful and responsible, the guideline are available in this book.
डॉ. विद्याधर देवदास बन्सोड यांचे कथा काव्य नाटक ‘यशोधरा’ कथेतून हळूहळू एक वेगळी, खोल आणि अस्वस्थ करणारी वाट उघडत जाते. हे नाटक इतिहासाला स्त्रीच्या नजरेतून नव्याने बघायला भाग पाडते. या नाट्यात यशोधरा केवळ त्यागाची, मौनाची किंवा सहनशीलतेची सावली म्हणून उभी राहात नाही, तर ती विचार करते. प्रश्न विचारते.
डॉ. विद्याधर बन्सोड
हे नाटक वाचताना सतत जाणवत राहते की त्यांची शैली काहीतरी वेगळे सुचवते. कथेकरीच्या माध्यमातून उलगडत जाणारे हे नाट्य शब्दांच्या पलीकडे जाऊन वाचकाच्या मनाला आणि मेंदूला अंतर्मुख करते. यशोधरा हे पारंपरिक अर्थाने ऐतिहासिक नाटक नाही; तसेच ते केवळ स्त्रीवादी घोषणा करणारे लेखनही नाही.
कथाकाव्याच्या या अनोख्या शैलीतून असे नाट्य लिहिणे आणि सादर करणे अत्यंत आव्हानात्मक आहे. ‘यशोधरा’ साठी त्यांनी केलेले सखोल संशोधन, विविध दृष्टिकोनांतून केलेले चिंतन, मनन आणि वैचारिक प्रगल्भता यांचा हा परिपाक आहे. जे वाचकांना केवळ एक अनुभवच देत नाही, तर एक नवी व्यापक वैचारिक दृष्टी देते.
Shri. Vasant Chinchalkar has given expression to some personalities he came into contact in this book. He has clissified these people/personalities of his choice in Sa, re, Ga, Ma, P and ni – the notes of music. There are some personalities who are famous social figures and some are common people acquainted with the writer, yet each of them have some special feature, which the writer has aptly focused an and meticulously discussed.
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