₹60.00
The city of Nagpur is at the centre of India the subcontinent. The information about the places for tourism surrounding Nagpur is presented in this book. This is the very first book in this field about Nagpur tourism. It includes 16 maps in colour. The traveler can travel with it without any human guide.
5 in stock
CompareThe city of Nagpur is at the centre of India the subcontinent. The information about the places for tourism surrounding Nagpur is presented in this book. This is the very first book in this field about Nagpur tourism. It includes 16 maps in colour. The traveler can travel with it without any human guide.
| Weight | 100 kg |
|---|---|
| Dimensions | 21.5 × 14 cm |
The calculation of time gives a fundamental support to the calculation of the historic events. To understand the Indian history in a proper perspective, one must be aware about the ways and practice of Indian time calculation method. Infact time is the fourth dimension of the universe, which has been studied by our ancestors in a deep and expanded perspective and in a scientific manner. All of us should know about this method of calculation. This should not remain a subject in the domain of astronomers and astrologers only (fortune teller). Keeping this in mind this book is written in a manner so that a layman can understand why is it that after Monday, there is Tuesday in the calendar of the whole world? This book helps you to answer it.
A book of poems equal to the poets and writers of Vidarbha like Vamanrao Chorghade, Purushottam Darwhekar, Ram Shewalkar, from Nagpur, Madhukar Keche and Suresh Bhat is written by a duel a mother and her daughter ie. sau Uma Kannadkar and Dr. Sau Manasi Kavimandan, It indudes 84 poems out 95 which 69 are in Marathi and 15 in English. There are 23 poems from the mother and others are of her daughter. The poem ‘Baba’ is praiseworthy Sau. Uma Kannadkar, Dr. Sau. Manasi Kavimandan,
पà¥à¤°à¥‡à¤®à¤à¤¾à¤µà¤¨à¤¾ ही जीवनाची संजीवनी आहे. सहजपणे à¤à¤•à¤®à¥‡à¤•à¤¾à¤‚त मिसळून-समरसून जगणà¥à¤¯à¤¾à¤šà¤¾ à¤à¤¾à¤µà¤®à¥‚लक अधà¥à¤¯à¤¾à¤¯ आहे. मà¥à¤¹à¤£à¥‚नच पà¥à¤°à¥‡à¤®à¤¾à¤šà¥à¤¯à¤¾ वेदनेकडेसà¥à¤¦à¥à¤§à¤¾ सौंदरà¥à¤¯à¤µà¤¾à¤¦à¤¾à¤šà¥à¤¯à¤¾ à¤à¥‚मिकेतून पाहिले जाते. परंतॠपà¥à¤°à¥‡à¤®à¤¾à¤šà¥à¤¯à¤¾ आणा-à¤à¤¾à¤•à¤¾ घेतलà¥à¤¯à¤¾à¤µà¤°à¤¹à¥€ लगà¥à¤¨à¤¾à¤¸à¤¾à¤°à¤–à¥à¤¯à¤¾ पवितà¥à¤° बंधनातून बाहेर पडून लगà¥à¤¨à¤¬à¤¾à¤¹à¥à¤¯ संबंध ठेवणे, तà¥à¤¯à¤¾à¤²à¤¾ पà¥à¤°à¥‡à¤®à¤¾à¤šà¥‡ गोंडस नाव देऊन तà¥à¤¯à¤¾à¤šà¥à¤¯à¤¾ असà¥à¤¤à¤¿à¤¤à¥à¤µà¤¾à¤¸à¤¾à¤ ी वाटà¥à¤Ÿà¥‡à¤² तसे वागणे, वासना व à¤à¤¾à¤µà¤¨à¤¾ यातील अंतर न कळणे आणि केलेलà¥à¤¯à¤¾ चà¥à¤•à¤¾ पà¥à¤¨à¥à¤¹à¤¾ दà¥à¤°à¥à¤¸à¥à¤¤ करणà¥à¤¯à¤¾à¤šà¥à¤¯à¤¾ आविरà¥à¤à¤¾à¤µà¤¾à¤¤à¥‚न नातà¥à¤¯à¤¾à¤šà¥€ वीण घटà¥à¤Ÿ करणà¥à¤¯à¤¾à¤šà¥€ उठाठेव करणे; असे कितà¥à¤¯à¥‡à¤•à¤¦à¤¾ समाजजीवनात अनà¥à¤à¤µà¤¾à¤¯à¤²à¤¾ मिळते. हेच वासà¥à¤¤à¤µà¤à¤¾à¤¨ उरà¥à¤®à¤¿à¤²à¤¾ देवेन यांनी ‘द गेम ऑफ अफेअर’ या कादंबरीत मारà¥à¤®à¤¿à¤•à¤ªà¤£à¥‡ मांडले आहे.
Indian co-operative movement, its principles and working on which a book is written to benefit the students of B.com Part I students of Pune university. The book is also useful for the students of yashwantrao Chavan University and also can be used by G.D.C.A. students. The workers in co-operative fields and movements also can be help from this book.
डॉ. विदà¥à¤¯à¤¾à¤§à¤° देवदास बनà¥à¤¸à¥‹à¤¡ यांचे कथा कावà¥à¤¯ नाटक ‘यशोधरा’ कथेतून हळूहळू à¤à¤• वेगळी, खोल आणि असà¥à¤µà¤¸à¥à¤¥ करणारी वाट उघडत जाते. हे नाटक इतिहासाला सà¥à¤¤à¥à¤°à¥€à¤šà¥à¤¯à¤¾ नजरेतून नवà¥à¤¯à¤¾à¤¨à¥‡ बघायला à¤à¤¾à¤— पाडते. या नाटà¥à¤¯à¤¾à¤¤ यशोधरा केवळ तà¥à¤¯à¤¾à¤—ाची, मौनाची किंवा सहनशीलतेची सावली मà¥à¤¹à¤£à¥‚न उà¤à¥€ राहात नाही, तर ती विचार करते. पà¥à¤°à¤¶à¥à¤¨ विचारते.
डॉ. विदà¥à¤¯à¤¾à¤§à¤° बनà¥à¤¸à¥‹à¤¡
हे नाटक वाचताना सतत जाणवत राहते की तà¥à¤¯à¤¾à¤‚ची शैली काहीतरी वेगळे सà¥à¤šà¤µà¤¤à¥‡. कथेकरीचà¥à¤¯à¤¾ माधà¥à¤¯à¤®à¤¾à¤¤à¥‚न उलगडत जाणारे हे नाटà¥à¤¯ शबà¥à¤¦à¤¾à¤‚चà¥à¤¯à¤¾ पलीकडे जाऊन वाचकाचà¥à¤¯à¤¾ मनाला आणि मेंदूला अंतरà¥à¤®à¥à¤– करते. यशोधरा हे पारंपरिक अरà¥à¤¥à¤¾à¤¨à¥‡ à¤à¤¤à¤¿à¤¹à¤¾à¤¸à¤¿à¤• नाटक नाही; तसेच ते केवळ सà¥à¤¤à¥à¤°à¥€à¤µà¤¾à¤¦à¥€ घोषणा करणारे लेखनही नाही.
कथाकावà¥à¤¯à¤¾à¤šà¥à¤¯à¤¾ या अनोखà¥à¤¯à¤¾ शैलीतून असे नाटà¥à¤¯ लिहिणे आणि सादर करणे अतà¥à¤¯à¤‚त आवà¥à¤¹à¤¾à¤¨à¤¾à¤¤à¥à¤®à¤• आहे. ‘यशोधरा’ साठी तà¥à¤¯à¤¾à¤‚नी केलेले सखोल संशोधन, विविध दृषà¥à¤Ÿà¤¿à¤•à¥‹à¤¨à¤¾à¤‚तून केलेले चिंतन, मनन आणि वैचारिक पà¥à¤°à¤—लà¥à¤à¤¤à¤¾ यांचा हा परिपाक आहे. जे वाचकांना केवळ à¤à¤• अनà¥à¤à¤µà¤š देत नाही, तर à¤à¤• नवी वà¥à¤¯à¤¾à¤ªà¤• वैचारिक दृषà¥à¤Ÿà¥€ देते.
The unique importance of the pilgrim place paithan as a religion and centre has been described in the book cultural different important sports to visit and places for purchase of paithani a unique sari and other seats important as visiting have be in also informed about.
The information about the God Ganesh has been compiled in this book. Besides the Major places of pilgrimage of Ganesh have also given. The devotees get all the in their minds about God Ganesh answered thereby.
The author, Mr. Rahul Kulkarni, is a skilled Engineer. He loves to write stories. Because of his logical perspective, he always focuses on facts and details, which helps him to write clear and profound stories. His job in engineering and quality have given him the opportunity to travel the world. These travels have given him an understanding of various cultures and histories. Rahul is fond of visiting historical and religious, places. On every trip, he becomes acquainted with new people and cultures, which allows him to learn something new. These experiences from around the world bring realistic details and a broad perspective to his stories. Connect with Rahul at – rgkrahul@gmail.com.
The tourism of worth seeing places has been published by Nachiket Publications. This book is one of the series and is about the Shegaon and the Saint Gajanan Maharaj. The readers of all ages are assisted through this book as ample information with photographs has been provided. Before visiting Shegaon are must read it.
The holy pilgrim place Pandharpur is a seat of valuable centre of religions faith in Maharashtra. This book is useful of the guideline before visiting God Vitthal at Pandharpur.
Select at least 2 products
to compare
Nivadnuk Karyapaddhati 